專輯介紹
融入當地原始部落的傳統音樂元素融入的智利樂團 Föllakzoid 是突然想要專注時會想到的組合，透過迷幻、Krautrock、Techno 到達神遊；經過了幾張專輯，Föllakzoid 特有的深邃質感一張比一張還要簡約，更加的電子，更接近舞池的中心。
新專輯《V》跳脫過往的錄音方式，他們將吉他、貝斯、鼓、合成器分開錄製，總共 70 多個音軌交給沒有在錄音現場的製作人 Atom™ 重新組織，沒有長度、結構與概念的限制，嘗試打破創作、敘事的既有邏輯框架，同時的存在卻並非真的存在，以一種更自由、開放的形式探索音樂、藝術的可能。
Föllakzoid grows via depuration, aiming with each record to fill longer spaces of time with fewer and fewer elements. And like the best techno, kraut, and psychedelia have proven throughout time, sometimes the most minimal framework is the strongest container for transcendence. Which is what Föllakzoid have achieved with V, an immersive opus that takes the listener on seductive journey straight to the dance floor.
The creative perspective of the band has always been about unlearning the narrative, musical and visual paradigms that shape physical and digital conceptions, in an effort to make a time-space metric structure that dissolves both the author and the narrative. As the creative project of queer and trans artist Domingæ, the band has had a unique experience navigating the psychedelic rock scene.
Unlike past Föllakzoid records, that were done in single takes with the full band, their latest record V took a month to construct out of more than 70 separate stems. Guitars, bass, drums, synthesizers, and vocals, were all recorded in isolation and producer Atom™, who was not present for recording, was then asked to re-organize the four sequences of stems without any length, structural restrictions or guidelines.
The inherent possibilities were endless yet bound together by the inner logic of the game itself and by the spirits of the players. V is the exercise of telling an elaborate story about nothing, with the smallest number of words necessary. The story is one of the electricity and code which we inhabit - or which may inhabit us, and can be imagined through heart-pounding bass, skittering beats, head swirling melodies, and an ominous allure that feels at times like genuine hypnosis.